Fondazione Cardinale Francesco Maria del Monte SMStudio
Francesco Maria del Monte's palace on the Via di Ripetta following his death on August 27, 1626.4 The inventory was begun in February 1627, and the section that lists the Siren is dated April of that year. As representative for the Grand Duke of Tuscany, Del Monte was a powerful member of the
Francesco Maria del Monte Biography Italian Cardinal, diplomat and
Madrid, Spain This painting was almost certainly commissioned in Rome by Caravaggio 's first patron, Cardinal Francesco Maria del Monte. Captured in a strikingly natural pose, the figure of St.
Cardinal Francesco del Monte by LEONI, Ottavio
One important follower of this new interest in the natural sciences was Cardinal Francesco Maria del Monte. Also during this time the Counter Reformation was influencing the subject matter and its representations in art. It encouraged a renewal in the interest in martyrs. In the depiction of these martyrs, the Catholic Church encouraged the.
Francesco Monte Al GF si parla di Francesco Monte, lui "protesta" sui
1549-1626 Biography Francesco Maria del Monte, cardinal from 1588 and patron of the arts. He was born in Venice. A friend of Ferdinando de Medici, he was a diplomat, a lover of music, and one of Caravaggio's first patrons. He lived in the Palazzo Madama in Rome. Bibliography
Fondazione Cardinale Francesco Maria Del Monte
Discovered in the Uffizi's deposits in 1913 and attributed to Caravaggio by art historian Roberto Longhi, the masterpiece belongs to the painter's early career in Rome, when he was under the patronage of Cardinal Francesco Maria del Monte. Along with the "Medusa" (inv. 1890 n. 1351), it was donated by Cardinal del Monte to Ferdinando I de' Medici on the occasion of his son Cosimo II's.
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In the early seventeenth century, Cardinal Francesco Maria del Monte was the unofficial Florentine cultural ambassador in Rome. He regularly entertained visiting dignitaries and represented the Medici family's interests within the Vatican. He was an avid art collector, glass enthusiast and amateur alchemist.
Notizie Fondazione Cardinale Francesco Maria Del Monte
of Cardinal Francesco Maria del Monte (1549-1626; Figures 1, 2).' Two of these paintings were ac-tually listed in the cardinal's collection, The Musicians (Figure 3) and The Lute Player (Figure 4),2 while two others-another Lute Player (Figure 5) and the Amor Vincit Omnia in Berlin-belonged to a neighbor of Del Monte's, the Marchese Vincenzo.
Francesco Monte Francesco Monte A Singer Here Are The Images
The turning point in Caravaggio's life and work came when he met his first patron, Cardinal Francesco Maria Del Monte, in whose residence - the Palazzo Madama - he lived from 1597 to 1601. He painted a number of works for Del Monte, including the Head of Medusa in the Galleria degli Uffizi, and the Fortune Teller in the Pinacoteca.
In 1598 Cardinal Francesco Maria del Monte gave this painted shield to
Francesco Maria del Monte (1549-1626) - a cardinal full of passion for alchemy, music and painting Casino Ludovisi, painting by Caravaggio, commissioned by cardinal del Monte, fragment
Fondazione Cardinale Francesco Maria del Monte SMStudio
Commissioned by Cardinal Francesco Maria del Monte in 1597 for the ceiling of his alchemical laboratory, this oil on plaster work is the only mural painting by Caravaggio. Though known to the art biographer Bellori in the late 17th century, the ceiling was at some point covered, and rediscovered only in 1969 by Giuliana Zandri..
Biografia Francesco Monte, vita e storia
Francesco Maria del Monte, full name Francesco Maria Bourbon del Monte Santa Maria, (5 July 1549 - 27 August 1627) was an Italian cardinal, diplomat, and connoisseur of the arts. [1]
RETROSCENA Francesco Monte verso Tale e Quale Show
He eventually set up on his own in 1595 and found a patron, Cardinal Francesco del Monte, who not only gave him board and lodging but opened the door to many commissions. Boy with a Basket of Fruit is a portrait of Caravaggio's friend, the Sicilian painter Mario Minniti, as a young man.
フランチェスコ・マリア・デル・モンテ Francesco Maria del Monte JapaneseClass.jp
There his early masterpiece The Cardsharps came to the attention of the influential Cardinal Francesco Maria del Monte, who not only purchased it but also offered the artist quarters in his palace. Caravaggio was thus introduced to the elite stratum of Roman ecclesiastical society, which soon gave him his first significant opportunity to work.
Fondazione Cardinale Francesco Maria del Monte SMStudio
Apprenticed in Milan, Caravaggio came to Rome in the early 1590s. There his early masterpiece The Cardsharps came to the attention of the influential Cardinal Francesco Maria del Monte, who not only purchased it but also offered the artist quarters in his palace. Caravaggio was thus introduced to the elite stratum of Roman ecclesiastical.
フランチェスコ・マリア・デル・モンテ Francesco Maria del Monte JapaneseClass.jp
The canvas is recorded among the possessions inventoried on the death of the artist's first important patron in Rome, Cardinal Francesco Maria del Monte, and again on the death of his heir, Uguccione del Monte in 1626. In 1628, the date of a further inventory, it was sold, along with other paintings, to pay some of the Cardinal's heir's.
Francesco Maria Del Monte biografia del mecentae di Caravaggio Artepiù
It was through Spata that Caravaggio came to the attention of his most-important early patron, Francesco Cardinal Maria del Monte, who lived in the nearby Palazzo Madama. Between them, the painter and his dealer concocted a plan to attract the notice of del Monte, a prominent collector who regularly passed Spata's shop.